Brutality garden : Tropicália and the emergence of a Brazilian counterculture /

In the late 1960s, Brazilian artists forged a watershed cultural movement known as Tropicália. Music inspired by that movement is today enjoying considerable attention at home and abroad. Few new listeners, however, make the connection between this music and the circumstances surrounding its creati...

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Main Author: Dunn, Christopher, 1964-
Format: Book Electronic
Language:English
Published: Chapel Hill, NC : University of North Carolina Press, [2001]
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Online Access:Connect to eBook (Available to people from CARLI member institutions.)
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100 1 |a Dunn, Christopher,  |d 1964- 
245 1 0 |a Brutality garden :  |b Tropicália and the emergence of a Brazilian counterculture /  |c Christopher Dunn. 
264 1 |a Chapel Hill, NC :  |b University of North Carolina Press,  |c [2001] 
264 4 |c ©2001 
300 |a 1 online resource (xii, 256 pages) :  |b illustrations 
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504 |a Includes bibliographical references (pages 235-245), discography (pages 247-248) , and index. 
505 0 |a Poetry for export : modernity, nationality, and internationalism in Brazilian culture -- Participation, pop music, and the universal sound -- The Tropicalist moment -- In the adverse hour : Tropicalia performed and proscribed -- Tropicalia, counterculture, and Afro-diasporic connections -- Traces of Tropicalia. 
520 |a In the late 1960s, Brazilian artists forged a watershed cultural movement known as Tropicália. Music inspired by that movement is today enjoying considerable attention at home and abroad. Few new listeners, however, make the connection between this music and the circumstances surrounding its creation, the most violent and repressive days of the military regime that governed Brazil from 1964 to 1985. With key manifestations in theater, cinema, visual arts, literature, and especially popular music, Tropicália dynamically articulated the conflicts and aspirations of a generation of young, urban Brazilians. Focusing on a group of musicians from Bahia, an impoverished state in northeastern Brazil noted for its vibrant Afro-Brazilian culture, Christopher Dunn reveals how artists including Caetano Veloso, Gilberto Gil, Gal Costa, and Tom Zé created this movement together with the musical and poetic vanguards of Sao Paulo, Brazil's most modern and industrialized city. He shows how the tropicalists selectively appropriated and parodied cultural practices from Brazil and abroad in order to expose the fissure between their nation's idealized image as a peaceful tropical "garden" and the daily brutality visited upon its citizens.--Publisher description. 
588 0 |a Print version record. 
650 0 |a Tropicália (Music)  |x History and criticism. 
650 0 |a Popular music  |z Brazil  |x History and criticism. 
650 0 |a Counterculture  |z Brazil  |x History  |y 20th century. 
650 7 |a POLITICAL SCIENCE  |x Public Policy  |x Cultural Policy.  |2 bisacsh 
650 7 |a SOCIAL SCIENCE  |x Anthropology  |x Cultural.  |2 bisacsh 
650 7 |a SOCIAL SCIENCE  |x Popular Culture.  |2 bisacsh 
650 7 |a Counterculture.  |2 fast  |0 (OCoLC)fst00881315 
650 7 |a Popular music.  |2 fast  |0 (OCoLC)fst01071422 
650 7 |a Tropicália (Music)  |2 fast  |0 (OCoLC)fst01157499 
651 7 |a Brazil.  |2 fast  |0 (OCoLC)fst01206830 
650 7 |a Tropicalismo  |2 gnd 
648 7 |a 1900-1999  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
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