Norton anthology of western music /

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Other Authors: Palisca, Claude V.
Grout, Donald Jay.
Format: Music Score
Language:English
Published:New York, N.Y. : W.W. Norton, c2001.
Edition:4th ed.
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Table of Contents:
  • Preface
  • Recordings
  • Musical Life and Thought in Ancient Greece and Rome
  • 1. Epitaph of Seikilos
  • 2. Euripides Orestes: Stasimon chorus
  • Chant and Secular Song in the Middle Ages
  • 3. Mass for Christmas Day / Gregorian Chant
  • a). Introit: Puer natus est nobis
  • b). Kyrie
  • c). Gloria
  • d). Gradual: Viderunt omnes
  • e). Alleluia
  • f). Credo
  • g). Offertory: Tui sunt caeli
  • h). Sanctus
  • i). Agnus Dei
  • j). Communion: Viderunt omnes
  • k). Ite, missa est
  • 4. Office of Second Vespers, Nativity of Our Lord / Gregorian Chant
  • a). Verse: Deus in adjutorium
  • b). Antiphon: Tecum principium
  • c). Psalm 109: Dixit Dominus
  • d). Antiphon: Redemptionem misit Dominus
  • e). Psalm 110: Confitebor tibi Domine
  • f). Antiphon: Exortum est in tenebris
  • g). Psalm 111: Beatus vir qui timet Dominum
  • h). Antiphon: Apud Dominum
  • i). Psalm 129: De profundis clamavi ad te
  • j). Short Responsory: Verbum caro
  • k). Hymn: Christe Redemptor omnium
  • l). Verse: Notum fecit
  • m). Antiphon: Hodie Christus natus est
  • n). Canticle: Magnificat
  • 5. Sequence for the Solemn Mass of Easter Day: Victimae paschali laudes / Gregorian Chant
  • 6. Ordo virtutum: In principio omnes / Hildegard of Bingen
  • 7. Trope: Quem quaeritis in praesepe / Gregorian Chant
  • 8. Jeu de Robin et de Marion: Rondeau: Robins m'aime / Adam de la Halle
  • 9. Can vei la lauzeta mover / Bernart de Ventadorn
  • 10. Canso: A chantar / Beatriz de Dia
  • 11. Nachdem David war redlich und aufrichtig / Hans Sachs
  • 12. Istampita Palamento
  • The Beginnings of Polyphony and the Music of the Thirteenth Century
  • 13. Organum: Alleluia Justus ut palma
  • 14. Aquitanian polyphony: Jubilemus, exultemus
  • 15. Alleluia Pascha nostrum: Gregorian Chant and Early Polyphonic Elaborations
  • a). Plainchant
  • b). Leonin, Organum duplum
  • c). Clausula
  • d). Motet: Gaudeat devotio fidelium
  • e). Substitute clausula
  • f). Motet: Ave Maria, Fons letitie
  • g). Motet: Salve, salus hominum/O radians stella/nostrum
  • 16. Organum quadruplum: Sederunt / Perotin
  • 17. Conductus: Ave virgo virginum
  • 18. Motet: Amours mi font/En mai/Flos Filius eius
  • French and Italian Music in the Fourteenth Century
  • 19. Motet: In arboris/Tuba sacre fidei/Virgo sum / Philippe de Vitry
  • 20. Rondeau: Rose, liz, printemps, verdure / Guillaume de Machaut
  • 21. Mass: Agnus Dei / Guillaume de Machaut
  • 22. Madrigal: Fenice fu / Jacopo da Bologna
  • 23. Ballata: Non avra ma' pieta / Francesco Landini
  • 24. Rondeau: Belle, bonne, sage / Baude Cordier
  • England and the Burgundian Lands in the Fifteenth Century
  • 25. Motet: Quam pulchra es / John Dunstable
  • 26. Carol: Salve, sancta parens
  • 27. Ballade: Resvellies vous et faites chiere lye / Guillaume du Fay
  • 28. Hymn: Conditor alme siderum / Guillaume du Fay
  • 29. Se la face ay pale / Guillaume Du Fay
  • a). Ballade
  • b). Missa Se la face ay pale: gloria
  • The Age of the Renaissance: Music of the Low Countries
  • 30. Rondeau: De plus en plus / Gilles Binchois
  • 31. Missa De plus en plus / Johannes Ockeghem
  • a). Kyrie
  • b). Agnus Dei
  • 32. Missa Pange lingua / Josquin Des Prez
  • a). Kyrie
  • b). From Credo: Et incarnatus est and Cruxifixus
  • 33. Motet: De profundis clamavi ad te / Josquin Des Prez
  • 34. Lied: Innsbruck, ich muss dich lassen / Heinrich Issaac
  • New Currents in the Sixteenth Century
  • 35. Frottola: Io non compro piu speranza / Marco Cara
  • 36. Madrigal: Il bianco e dolce cigno / Jacob Arcadelt
  • 37. Madrigal: Aspro core e selvaggio / Adrian Willaert
  • 38. Madrigal: Da le belle contrade d'oriente / Cipriano De Rore
  • 39. Madrigal: Solo e pensoso / Luca Marenzio
  • 40. Madrigal: "Io parto" e non piu dissi / Carlo Gesualdo
  • 41. Chanson: Tant que vivray / Claudin de Sermisy
  • 42. Chanson: Revecy venir du printans / Claude le Jeune
  • 43. Madrigal: O Care, thou wilt despatch me / Thomas Weelkes
  • 44. Air: Flow, my tears / John dowland
  • 45. Danseries a 4 Parties, Second Livre / Pierre Attaingnant
  • a). Basse danse (No. 1)
  • b). Branle gay: Que je chatoulle ta fossette (No. 36)
  • 46. Pavana Lachrymae / William Byrd
  • Church Music of the Late Renaissance and Reformation
  • 47. Pope Marcellus Mass / Glovanni da Palestrina
  • a). Credo
  • b). Agnus Dei I
  • 48. O magnum mysterium / Tomas Luis de Victoria
  • a). Motet:
  • b). Mass: Kyrie
  • 49. Motet: Tristis est anima mea / Orlando di Lasso
  • 50. Full Anthem: Sing joyfully unto God / William Byrd
  • Music of the Early Baroque Period
  • 51. Madrigal: Vedro'l mio sol / Giulio Caccini
  • 52. Le musiche sopra l'Euridice / Jacopo Peri
  • a). Prologue: Io, che d'alti sospir
  • b). Nel pur ardor
  • c). Per quel vago boschetto
  • 53. Madrigal: Cruda Amarilli / Claudio Monteverdi
  • 54. L'Orfeo / Claudio Monteverdi
  • a). Prologue: Dal mio Permesso
  • b). Act II: Vi ricorda (excerpt)
  • c). In un fiorito prato
  • 55. L'incoronazione di Poppea: Act I, Scene 3 / Claudio Monteverdi
  • 56. Orontea: Act II, Scene 17: Intorno all'idol mio / Marc' Antonio Cesti
  • 57. Cantata: Lagrime mie / Barbara Strozzi
  • 58. Grand Concerto: In ecclesiis / Giovanni Gabrieli
  • 59. Sacred Concerto: O Domine, Jesu Christe / Lodovico Viadana
  • 60. Motet: O quam tu pulchra es / Alessandro Grandi
  • 61. Historia di Jephte / Glacomo Carissimi
  • a). Plorate colles
  • b). Plorate filii Israel
  • 62. Grand Concerto: Saul, was verfolgst du mich, SWV 415 / Heinrich Schutz
  • 63. Gigue: La Poste / Ennemond Gaultier
  • a). Lute Version
  • b). Arrangement for harpsichord by Jean-Henri D'Anglebert
  • 64. Lamentation faite sur la mort tres douloureuse de Sa Majeste Imperiale Ferdinand le troisieme et se joue lentement avec discretion / Johann Jakob Froberger
  • 65. Toccata No. 3 (1615, revised 1637) / Girolamo Frescobaldi
  • Opera and Vocal Music in the Late Seventeenth Century
  • 66. La Griselda: Act II, Scene 1: Mi rivedi / Alessandro Scarlatti
  • 67. Le bourgeois gentilhomme: Ballet des nations / Jean-Baptiste Lully
  • a). Entree
  • b). Chaconne
  • 68. Armide / Jean-Baptiste Lully
  • a). Ouverture
  • b). Act II, Scene 5: Enfin il est en ma puissance
  • 69. Dido and Aeneas: Act III, Scene 2: Thy hand, Belinda/When I am laid in earth / Henry Purcell
  • Chorus: With drooping wings
  • 70. The Fairy Queen: Hark! the ech'ing air a triumph sings / Henry Purcell
  • Instrumental Music in the Late Baroque Period
  • 71. Praeludium in E Major, BuxWV 141 / Dieterich Buxtehude
  • 72. Chorale Prelude: Danket dem Herrn, BuxWV 181 / Dieterich Buxtehude
  • 73. Vingt-cinquieme ordre / Francois Couperin
  • a). La Visionaire
  • b). La Misterieuse
  • c). La Monflambert
  • d). La Muse victorieuse
  • e). Les Ombres errantes
  • 74. Trio Sonata: La Raspona / Giovanni Legrenzi
  • 75. Trio Sonata, Op. 3, No. 2 / Arcangelo Corelli
  • Music in the Early Eighteenth Century
  • 76. Concerto Grosso in G Minor, Op. 3, No. 2, RV 578 / Antonio Vivaldi
  • a). Adagio e spiccato (first movement)
  • b). Allegro (second movement)
  • 77. Concerto for Violin, Op. 9, No. 2, RV 345: Largo (second movement) / Antonio Vivaldi
  • 78. Hippolyte et Aricie: Act IV, Scene 1: Ah! faut-il / Jean-Philippe Rameau
  • 79. Praeludium et Fuga in A Minor, BWV 543 / Johann Sebastian Bach
  • 80. Durch Adams Fall, BWV 637 / Johann Sebastian Bach
  • a). Chorale melody
  • b). Organ chorale
  • 81. Cantata, Wachet auf, ruft uns die Stimme, BWV 140 / Johann Sebastian Bach
  • 1). Chorus: Wachet auf
  • 2). Recitative: Er kommt
  • 3). Aria (Duet): Wann kommst du, mein Heil?
  • 4). Chorale: Zion hort die Wachter singen
  • 5). Recitative: So geh herein zu mir
  • 6). Aria (Duet): Mein Freund ist mein!
  • 7). Chorale: Gloria sei dir gesungen
  • 82. Mass in B Minor, BWV 232: Credo: Symbolum Nicenum / Johann Sebastian Bach
  • a). Et in Spiritum sanctum Dominum
  • b). Confiteor
  • c). Et expecto resurrectionem
  • 83. Giulio Cesare: Act II, Scene 2: V'adoro pupille / George Frideric Handel
  • 84. Saul: Act II, Scene 10 / George Frideric Handel
  • a). Accompagnato: The Time at length is come
  • b). Recitative: Where is the Son of Jesse?
  • c). Chorus: O fatal Consequence of Rage
  • Appendixes and Indexes
  • Instrument Names and Abbreviations
  • Glossary of Score and Performance Indications
  • Index of Composers
  • Index of Titles
  • Index of Forms and Genres

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