Review by Choice Review
Somewhere between a coffee-table extravaganza and a scholarly edition, Hearn's addition to the literature on Twain's masterpiece is often engaging, occasionally overzealous in annotations, but, finally, a very good fulfillment of its overall objective. Hearn uses the text in the 1996 Random House corrected edition, taking advantage of the 1990 discovery of the first half of Twain's manuscript. In places the annotations overwhelm the text for pages at a time; a few of the critical or linguistic notes are unnecessary, but the majority are accurate and a potential boon to nonspecialists. A long (165 page) and engaging preface covers composition, illustration, publication, reception, background, influence, and current arguments over the text's "racism"--a wide-ranging discussion that covers the culture surrounding the book including its appearance as a play in 1902. The discussion is consistently clear, intelligent, deft, and illuminating; Hearn uses a range of historical and scholarly sources and provides a balanced interpretation of how Twain felt about and used his own work. Illustrations are fresh in both the preface and the annotation columns, adding value to the text. A good addition even for libraries that already own multiple copies of the basic text, this volume will serve readers at all levels. D. E. Sloane University of New Haven
Copyright American Library Association, used with permission.
Review by Publisher's Weekly Review
Hearn, who edited The Wizard of Oz for Norton's Annotated series, has taken on that formative fiction of American culture, Huckleberry Finn a seemingly transparent work that, as presented in Hearn's exhaustive research, harbors linguistic complexities worthy of an Eliot or a Joyce. In his long introduction, Hearn chronicles Huck's publishing history, from its on-again, off-again composition, to Twain's stormy relationship with his publishers, to the book's embattled trip to the printer (trailing censorious editors in its wake) and its instant success on the market. Hearn offers a thorough cataloguing of the book's critical reception and many controversies, an ample pinch of biography, a lengthy analysis of dialect and a fairly sketchy historical background. The notes themselves (presented alongside the text) are eclectic, sometimes charmingly so: we learn what a huckleberry is, and a sugar-hogshead, and how corn pone is made. Huck's vast repertory of Southern superstitions is carefully glossed, and Hearn wisely includes quotes about the book from Twain (who could scarcely open his mouth without saying something funny) whenever possible. The notes go overboard in their extensive translation of the book's idiomatic speech (readers probably don't need "powwow" defined and can figure out for themselves that "hoss" means horse). On the whole, Hearn supplies interesting information with a light touch possibly too light in the last third of the book, which seems more thinly annotated than the beginning. Restored passages not seen in the original appear in the appendices. Though a stronger anchor in cultural history could have made this volume better, this liberally illustrated and beautifully designed book offers many pleasures for the general reader. (Oct.) Forecast: This is the perfect gift book for all of Huck's fans and should sell very well with the aid of a six-city author tour and national media appearances. Also, in January 2002, a Ken Burns series on Twain will air. (c) Copyright PWxyz, LLC. All rights reserved
(c) Copyright PWxyz, LLC. All rights reserved
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