Shadows on the Hudson /

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Main Author: Singer, Isaac Bashevis, 1904-
Other Authors: Sherman, Joseph.
Format: Book
Language:English
Published:New York : Farrar, Straus, Giroux, 1999, c1998.
Edition:1st ed.
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Review by Publisher's Weekly Review

Originally published in 1957 as a semi-weekly serial in the Yiddish Daily Forward, this addictive melodrama reflects the thoughtfulness and dark humor of the late Nobel Prize winner's work. It does not suffer from having once been doled out to readers in tiny nuggets: indeed, the erratic, messy way in which people conduct their lives collides most effectively with the neatness of the world-as-village Singer portrays. A self-described Job who builds office buildings, Talmud-loving Boris Makaver stands at the crossroads where the untidy lives of many people intersect, chief among them his refugee friends and the various self-destructive loves of his daughter Anna, a shrewd but troubled businesswoman. When Anna runs off to Florida with Hertz Grein, a Spinoza-spouting investment consultant who tutored her as a child in Warsaw, the damages to Anna's suicidal, do-nothing husband and Grein's forgiving wife provide just one more set of grounds for the metaphysical questions that plague and deepen Singer's characters. These are people for whom serious discussions‘whether about communism, debauchery or their own Jewish identity‘are as natural as breathing itself, for whom every new home‘whether Hollywood, Miami, Israel or New Jersey‘holds out the elusive prospect of spiritual peace. As with Dickens, Trollope or Dostoyevski, contemporary readers will find themselves resisting Singer's eventful plot in order to parcel this book out as the series of treats it once was. (Jan.) (c) Copyright PWxyz, LLC. All rights reserved

(c) Copyright PWxyz, LLC. All rights reserved
Review by Kirkus Book Review

The late Nobelist (1904-91) left us yet another gift in this previously untranslated long novel, originally serialized in Yiddish in the Forward more than 40 years ago. The story, set in the late 1940s, begins with a masterly piece of exposition: a dinner party in New York City hosted by Boris Makaver, a refugee whose commercial success has enabled him to indulge his devotion to orthodox religious practices and generosity to friends whose assimilation to their new country has been less successful than his own. Boris's guests include his beautiful daughter Anna, unhappily married to attorney Stanislaw Luria; Professor David Shrage, a mathematician whose wife perished in the Holocaust; a saturnine doctor whose family hides a guilty collaborationist secret; and, most crucially, Hertz Grein, an idealistic scholar who has struck it rich in the stock market and is the object of Anna Luria's adulterous attentions. Singer explores the exhaustive combinings and recombinings of these lives with those of several other richly drawn characters, the most vivid of whom is Anna's first husband Yasha Kotik, a celebrated comic actor who will stop at nothing to achieve success and win back his former wife. Marriages and affairs fall apart; age and death take their toll; the wisdom of the scripture and kabbalah and the precepts of the great philosophers and avatars of modern science are passionately debated in extended conversations that seethe with drama. This is soap opera raised to the level of genius, in a consistently absorbing novel whose amazing breadth and verisimilitude suggest a contemporary Tolstoy. And Singer concludes it triumphantly, in a series of summaries of his several protagonists' fates, all of which are memorably encapsulated in the chastened Hertz Grein's simultaneous self-justification and apologia: ""One cannot keep the Ten Commandments while one lives in a society that breaks them."" A matchless portrait of human frailty seen from the perspective of a vast compassionate understanding. A major work, from one of the great modern novelists. Copyright ©Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

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