The creation of religious identities by English women poets from the seventeenth to the early twentieth century : Soulscapes /

Saved in:
Main Author: Hotz-Davies, Ingrid.
Format: Book
Language:English
Published:Lewiston, N.Y. : E. Mellen Press, 2001.
Series:Studies in women and religion ; v. 42
Subjects:
Tags: Add Tag
No Tags, Be the first to tag this record!
Table of Contents:
  • Acknowledgements
  • Preface
  • Introduction
  • Women, Religion, and the Critics
  • Parameters
  • Section I. Identities
  • Chapter 1. A Woman and her God
  • Forging a Position
  • Becoming an Author
  • Alone with God
  • What Manner of Voice?
  • Identities
  • Subjects of Power
  • Chapter 2. The Two-Husbands-Topos
  • Marital Polemics
  • Familial Places
  • Separate Spheres
  • Different Solutions
  • Chapter 3. Justifications
  • Dedicated to Love: Lady Mary Wroth's Religio-Erotic Vision
  • Religious Matings: The Religion of "Michael Field"
  • Section II. Matter(s)
  • Chapter 4. Material Universes
  • Religio-Philosophical Positions
  • (a). Anne, Viscountess Conway
  • (b). Sara Maitland
  • (c). Irigarayan Theology
  • Poetic Matter
  • (a). Eighteenth-Century Versions
  • (b). Emily Bronte
  • (c). Models of Feminist Exclusion
  • Minds and Matters Concluded
  • Section III. Gendered Deities
  • Chapter 5. Erotics
  • What Kind of Loving?
  • The Dynamics of Possession
  • Beloved Divine ...
  • ... Divine Beloved
  • Selves and Others
  • Chapter 6. Female Deities
  • God's Nature, Nature's God
  • (Late) Nineteenth-Century Maries
  • Conclusions and Constellations
  • Motifs Constant and Various
  • Between Men
  • Appendix. Bio-Bibliographical Sketches
  • Works Cited
  • Index

Descriptive content provided by Syndetics™, a Bowker service.