I WALKING I never run into anyone from the old days. It's summer and I'm alone in the city. I enter stores, apartment houses, offices And find nothing remotely familiar. The trees in the park--were they always so big? And the birds so hidden, so quiet? Where is the bus that passed this way? Where are the greengrocers and hairdressers, And that schoolhouse with the red fence? Miss Harding is probably still at her desk, Sighing as she grades papers late into the night. The bummer is, I can't find the street. All I can do is make another tour of the neighborhood, Hoping I'll meet someone to show me the way And a place to sleep, since I've no return ticket To wherever it is I came from earlier this evening. THAT LITTLE SOMETHING for Li-Young Lee The likelihood of ever finding it is small. It's like being accosted by a woman And asked to help her look for a pearl She lost right here in the street. She could be making it all up, Even her tears, you say to yourself, As you search under your feet, Thinking, Not in a million years . . . It's one of those summer afternoons When one needs a good excuse To step out of a cool shade. In the meantime, what ever became of her? And why, years later, do you still, Off and on, cast your eyes to the ground As you hurry to some appointment Where you are now certain to arrive late? THE ELEVATOR IS OUT OF ORDER Grandmothers and their caged birds Must be trembling with fear As you climb with heavy steps, Stopping at each floor to take a rest. A monkey dressed in baby clothes, Who belonged to an opera singer, Once lived here and so did a doctor Who peddled drugs to wealthy customers. The one who let you feel her breasts Vanished upstairs. The name is not familiar, But the scratches of her nails are. The bell rings, but no one comes to open the door. That old man, with a face powdered white, You caught peeking out of a door, Whom did he expect to see if not you, All frazzled and descending in a hurry? NIGHT CLERK IN A ROACH HOTEL I'm the furtive inspector of dimly lit corridors, Dead light bulbs and red exit signs, Doors that show traces Of numerous attempts at violent entry, Is that the sound of a maid making a bed at midnight? The rustle of counterfeit bills Being counted in the wedding suite? A fine-tooth comb passing through a head of gray hair? Eternity is a mirror and a spider web, Someone wrote with lipstick in the elevator. I better get the passkey and see for myself. I better bring along a book of matches too. SOUVENIRS OF HELL Empty beer cans tied to an old model car. A small circus tent in a parking lot. Sparrows chirping in rows of trees That have never known leaves. The stores on Main Street were boarded up, Except for a brightly lit tattoo parlor. Persephone's daughters on show With orange hair and spiked collars. You wish to know about the fires? We saw mills the color of dried blood Half-shadowed, half-lit by the setting sun, Their many windows mostly broken. The drunk who asked for spare change, Wanted to tell us about his time in prison, But with Satan's palace still to see, We left him right there with his mouth open. DRAMATIC EVENINGS You take turns being yourself, Being someone else, Addressing mirrors, airing your grievances To a goldfish in a bowl. Your Queen Gertrude and Ophelia Are snoring away across town. Your father's ghost is in the bathroom Reading Secret Life of Nuns, While you pace back and forth Clenching and unclenching your fists, As if planning a murder, Or more likely your own crucifixion. Or you stand frozen still As if an idea so obvious, so grand Has come to you And left you, for once, speechless. Outside, you notice, it has started snowing. You press your feverish forehead Against the cold windowpane And watch the flakes come down Languidly, one at a time, On the broken bird feeder and the old dog's grave. DEPARTMENT OF COMPLAINTS Where you are destined to turn up Some dark winter day Walking up and down dead escalators Searching for someone to ask In this dusty old store Soon to close its doors forever. At long last, finding the place, the desk Stacked high with sales slips, Concealing the face of the one You came to complain to About the coat on your back, Its frayed collar, the holes in its pockets. Recalling the stately fitting room, The obsequious salesman, the grim tailor Who stuck pins in your shoulders And made chalk marks on your sleeves As you admired yourself in a mirror, Your fists clenched fiercely at your side. Copyright (c) 2008 by Charles Simic All rights reserved. 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