Christian iconography; a study of its origins.
To demonstrate how paleo-Christian images were created and what role they played alongside other forms of Christian piety in their day, Grabar explores the limits of originality in such art, and the influence of figurative art in the Roman Empire.
|Published:||Princeton, N.J.] Princeton University Press [©1968]|
|Series:||Bollingen series ;
A.W. Mellon lectures in the fine arts ; 10.
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